"Pierre et Gilles"

Photographs retouched with paint by Pierre and Gilles are unique pieces.
Dans le port du Havre (1998), with Frédéric Lenfant as the model.

Ice Lady (1994), with Sylvie Vartan as the model.

Le Petit Communiste (1990), with Christophe as the model.

Iggy Pop (1977).

Les Cosmonautes (1991),
with Pierre and Gilles as
the models.
For thirty years, Pierre has been taking photographs and Gilles retouching them with paint. In contrast with the somewhat smooth quality of contemporary photography, the duo has invented a unique style and technique that extols an exuberant and ornamental material and glorifies the models, transforming them into timeless icons.
In self portraits or portraits of unknown people as well as celebrities from the world of pop, rock, film, fashion or nightlife (Andy Warhol, Jean-Paul Gaultier, Arielle Dombasle, Kylie Minogue, Catherine Deneuve, etc.), they place the figures in a baroque setting inspired by ancient mythology, religion, and pop or gay culture.
Saturated colours and kitsch settings: Pierre et Gilles make their taste for superficiality clear, and although recent photographs may refer to the war in Iraq or race and immigration in France, it is never in a directly militant way. However, behind the apparent "childlike naivety", the over-emphasis in the images (too pretty, too well-behaved, too sophisticated...) leads us into a strange world that is sometimes disturbing.
From 26 June to 30 September 2007, the Jeu de Paume museum in Paris is holding a huge retrospective called "Double Je" (1976-2007), which pays tribute to their thirty years of living and making art together. At the same time, German publishing house Taschen is publishing a new book on their work "overflowing with superlative beauty" according to French art critic Paul Ardenne who has written the text.
www.jeudepaume.org
1 place de la Concorde - Paris 8e
The Editors



